Search results for 'saddle back kitchen chair'

A neutral base covered in a golden-finished honeycomb-style overlay combines with a linen shade for a little lamp that packs a big style punch. Base is made of resin. Linen shade has styrene backing. Uses one 40-watt bulb. Learn More

A contemporary yet classic fixture that is clean and chic creating a look of laid back luxury. Learn More

The perfect mix of natural and glamorous, this "driftwood" wall sconce works well in any setting from chic coastal to contemporary. Made of resin with a patina-silver finish. Linen half shade with styrene backing. Learn More

The perfect mix of natural and glamorous, this "driftwood" wall sconce works well in any setting from chic coastal to contemporary. Made of resin with a patina-gold finish. Linen half shade with styrene backing. Learn More

A captivating bouquet of coral forms the back plates of this eclectic pair of wall Lighting/Sconces by Regina Andrew. A crisp white finish gives these light fixtures a clean and modern look. Learn More

A lamp for town and country. Universal appeal, in a style going back to the 1930s. Its natural flair combines well with its utilitarian design and illuminating purpose. Tightly jointed, easy to adjust and lock. Solidly constructed in brass. This lamp is built to last. Learn More

The mud and sandstone walls hid the multistory palace of Imam Yahya, built in the 1930s. From one of the terraces where we were invited to dine in the evening we could look down some 1000 feet into the valley and the lights of the village. The floor was covered with bright carpets, pots with plants were everywhere, and the light came from candles set on tripods. Over chicken and lamb with lentils, followed by cake and cardamom tea, the Imam explained that the tripods were left by a British surveying expedition in the twenties, mapping the deserts and hills of Yemen. We were impressed by the fact that the metal and wood, combined with saddlerís leather straps, still looked fresh and new, obviously a combination of quality and form follows function. Learn More

The mud and sandstone walls hid the multistory palace of Imam Yahya, built in the 1930s. From one of the terraces where we were invited to dine in the evening we could look down some 1000 feet into the valley and the lights of the village. The floor was covered with bright carpets, pots with plants were everywhere, and the light came from candles set on tripods. Over chicken and lamb with lentils, followed by cake and cardamom tea, the Imam explained that the tripods were left by a British surveying expedition in the twenties, mapping the deserts and hills of Yemen. We were impressed by the fact that the metal and wood, combined with saddlerís leather straps, still looked fresh and new, obviously a combination of quality and form follows function. Learn More